Sunday, December 2, 2012

Thursday, November 22, 2012

Friday, November 16, 2012

At The Pastry Cart

Again, shot with the Kodak Retina type 117 [circa 1934] on Kodak Portra 160 35mm color negative film. Double exposure on a single frame.

Thursday, November 15, 2012

Equivocal Star

Shot with a Kodak Retina type 117 [circa 1934] on Kodak Portra 160 35mm color negative film. Double exposure on a single frame.

Wednesday, November 14, 2012

Goodbye Cattleman's Wharf

Unceremoniously, the Cattleman's Wharf was demolished today. Once the playground of young and hip party-goers, the restaurant/nightclub was notably remembered as a place to hear live music and that place with the slide that went from the second floor bar down to the disco floor.

The building has been sitting derelict for many years now. No music, no limousines rolling up the bridge for patrons to make their grand entrance, no night lights or the faint clinking of glasses. The only inhabitants I've noticed for these past years is the pride of feral cats that roamed the ventilation system and peered out from under the pilings.

Noise On The Hill

Left over political posters dot the local landscape.

Directional #4

It's been a full week since the U.S. national elections. Hopefully we've all caught our breath and have come to terms with however things turned out.

Personally, I'm just glad that this election cycle is done and over with. It was getting to the point that I just wanted everyone to sit down and be quiet. But of course, there are those eager folks who are already talking about 2016 and not keeping their minds on the business at hand.

To those that voted [in the U.S.] I'm glad that you participated in the process of democracy. If you didn't get out there and vote, you have no place complaining about how government is being run. You had your chance to have your voice be heard and that's certainly a lot more than some folks in other countries get.

I'm sure I've said it at least once here in the journal; where ever you may live, if you have the opportunity to have a voice in your government's development, by all means do so . . . get out there and vote, write your representatives, speak-up and be heard. Government by the people, for the people — it's a beautiful thing.

Monday, November 12, 2012

I'm irrational, I like π.

Thursday, November 8, 2012

A Train Passes By


I recorded this train some time ago with the thought that I would eventually use it as a component within a composition. Inroads were made towards that composition, but the more I listened to this recording, the less I wanted anything to accompany it. 

Without added interference, here is a Central Valley train passing by; recorded near Delano, California. 


Wednesday, November 7, 2012

Sunday, October 21, 2012

Saturday, October 20, 2012

Friday, October 19, 2012

Monday, October 8, 2012

Sunday, October 7, 2012

Tuesday, September 25, 2012

Jake's T-Rex

I've been passing Jake's Reptile shop for a long while and have been meaning to take some shots of his tyrannosaurus statue. So I stopped by this morning just in time to meet the shop's proprietor opening up the back gate to place his tyrannosaurus rex out front. Jake was kind enough to place the statue in a position of my desiring for this shot.

Coincidentally, this building was part of a business that I worked at when I was in my teens. When Jake open the gate, he revealed one of the original fleet trucks from that business, a circa 1960-63 Ford Falcon Ranchero. I used to drive those trucks all over the county.

If you're cruising down Beach Blvd., [a.k.a. Highway 39], perhaps you'd like to stop into the Reptile Outlet. Their website is here.

Sunday, September 23, 2012

Camera Frenzy

I attended a camera show and sale today in Buena Park. A fantastic offering of both old and new equipment for collectors and enthusiasts. However, there was a sideshow going on in the corner of the room that stole the day. Yes, the models were working it hard, but I think their audience was the real spectacle.

Saturday, September 22, 2012

Surfing with 127

Although this image looks like it came from the 1950s, it was in fact taken earlier this week. Shot with a Brownie Reflex [Synchro Model twin-lens reflex camera] on long expired Efke R100 127 film and developed with a caffenol process, the end result of this photograph is instant vintage.

The Brownie Reflex was produced by the Eastman Kodak Company between 1940 and 1952. Because millions of these cameras were made, I couldn't tell you the exact year my camera was made [no visible serial number]. Although I did give the camera a decent cleaning before taking it out for testing, there is obviously a lot of dust in the [exposure] lens housing. I'm amazed that the camera is still in working condition.

To find out more about Kodak Brownies [and this model in particular] you can go here.

The 127 film I used is manufactured by Efke, a film manufacturer in Samobor, Croatia. Although the roll I used was something that I had sitting in a drawer for the past eight to nine years, Efke still produces 127 format film as well as 35 and 120 roll film and sheet film as well. So if you've got an old 127 format camera sitting around, yes you can still buy film for it. If you're interested in getting some yourself, you can check it out here or find a list of sources here.

Friday, September 21, 2012

Endeavor Fly-By

Today, 21 September 2012, in a spectacular display of flight, NASA sent the space shuttle, Endeavor (OV-105), off on a tour of California, via piggy-back on a Boeing 747, before arriving at its final touch-down destination at Los Angeles International Airport (LAX). From Sacramento to San Francisco, Huntington Beach to Los Angeles and many points between, millions of people flocked to the streets to witness this once in a lifetime sight — the shuttle Endeavor in its last flight before permanent retirement at the California Science Center in Los Angeles, California.

Next month, starting on 12 October, the Endeavor will be transferred to ground transport and make the final 12 mile leg of its journey through the streets of Los Angeles from LAX to the California Science Center.

The Endeavor was the fifth and final space shuttle to be manufactured and used in NASA's Space Shuttle program. The program was employed from 1981 to 2011. With the Endeavor's touch down today at LAX, it closes the final chapter in the shuttles' flight program. 

I am fortunate to live in an area that was in the direct flight path for the Endeavor's airshow. As a matter of fact, looking at the pictures I took above, I could have hoped to get a better profile view of the shuttle and 747, but I dare not complain; little did I suspect that the flying duo would travel [almost] directly overhead of my vantage point. I had loaded my longest lens for the event and realized, during the occurrence, that perhaps the 300mm end of the lens' 100mm-300mm range was perhaps too much for the proximity I was photographing from.

It was an amazing day. Being able to observe this historical event, the closing of this stage in the space program, was truly a thrill for this luddite. I have followed the space program from the Mercury Missions to the Apollo Missions and now to this era. As a species, we have come a long way, but there's still more out there to explore. Here's to the future of space exploration and the furtherance of the science that will get us there. With our feet firmly planted on the ground, who knows how far we can reach.

Side note: In the third picture from the top, you can see a tiny spec in the sky above the shuttle [about two thirds to the right, top of frame]. That is a balloon; most likely an escapee from nearby Disneyland.

Thursday, September 20, 2012

Dashboard Congregation

A luddite's journal is one year old today. For those of you that have been reading along, thank you. I'm looking forward to the coming year and seeing what comes my way to keep it going.

       – k.c.

Long Shadows On A Sandy Shore

Wednesday, September 19, 2012

Just Another Day At Huntington Beach

It was around this time of the day that I wished I had brought a longer lens.

Tuesday, September 18, 2012

Monday, September 17, 2012

K.C. with Brownie Starflash

Photo by Allison Shipp

A big thanks to Allison for sending this picture over. She took this shot of me at the Orange Street Fair while I was taking her picture. Allison [and beau] are in the Beautiful People post — set one, digital shots — second image down from top.

Saturday, September 15, 2012

Caffenol Starflash Multi-exposure

A month or so back, I spooled up a roll of 35mm film into a [Kodak] Brownie Starflash camera. The Starflash was designed to hold 127 film, so the roll of 35mm wasn't exactly a snug fit. None-the-less, I taped-up the back to block any light-leakage and started carrying the camera around with me for the next few weeks. 

Advancing the film became a bit of a guessing game. The camera's advance knob would click into place, but not on a consistent basis. I assumed that I may have a few overlapping frame edges and continued on with that hypothesis.

Aside from spooling a smaller film format into a camera that called for a larger film size, the objective of this venture was to expose a roll of film that was to be destined to be developed with caffenol. Caffenol is a home brew developing solution that uses instant coffee, citric acid [vitamin-C] and soda ash [sodium carbonate] as its main ingredients.

Having never employed the caffenol method before, my results were a little less than stellar; not due to the developer, but more due to my miscalculation of adjusting the development time to the warm temperature in my kitchen. After seeing the developed film, it was obvious that I had overdeveloped the film. 

What else was obvious was that my concerns about the advance knob issue were more acute than I had anticipated. Although there were a few gaps between some frames, most of the frames overlapped and double exposures were abundant throughout. There were a few frames that I hoped to see intact, but the accidental results turned out to be somewhat serendipitous; the entire roll of film ended up being a continuous collage of images.

With the help of my Epson scanner and some digital extraction, I was able to pull some images from the overdeveloped film. The images shown above are cropped from a longer sequence of double exposures. 

If the bottom two frames look familiar, you're right. They're additional shots from the previously posted Orange Street Fair. The top frame was taken on another day at Laguna Beach.

Wednesday, September 5, 2012

MT Adek

Another shot with the Yashica Zoom Image 70se. This time around using Fuji 1600 [color negative film] converted to b&w.

All The Beautiful People [set 2]

More shots from this year's Orange Street Fair. This set was shot using a Yashica Zoom Image 70se [auto p&s camera] with Fuji Sensia 400 film, cross-processed – C-41.